Hide not thy poison with such sugar'd words;
Lay not thy hands on me; forbear, I say;
Their touch affrights me as a serpent's sting.
Lay not thy hands on me; forbear, I say;
Their touch affrights me as a serpent's sting.
King
Henry VI, Part Two, Act Three, Scene 2.
I recently spent some time in Western Australia, and came
across a copy of Jack Davis’ short 1985 play No Sugar in an op shop (link here).
Davis (link here) was born
in 1917, and led a varied life as a stockman, writer, playwright, activist, and
spokesman for Aboriginal people. As a young fella, Davis spent a couple of
years at the Moore River Settlement near Mogumber just north of Perth, an
experience which clearly informs his political and literary activism. By the end
of his life in 2000, his plays had achieved international acclaim, and he had
been recognised with an OBE, and Order of Australia, and various state and
federal Board memberships.
No
Sugar, set in the region surrounding Perth in Western Australia
during the great depression in the early 1930s, tells the story of the fictional
Millimurra family and their interactions with the ‘protective’ state government
of the day.
While I knew of Davis by reputation, I never met him and had
never seen his plays nor read any of his writing, so reading No Sugar was an opportunity to begin to close
a gap in my own appreciation of the depth of the Indigenous contribution to Australia’s
cultural life.
Davis’ achievement with No
Sugar extends beyond crafting a work of considerable artistic and literary
merit, which brings to vivid life the challenges of the depression for many
Australians, but in doing so rips the band aid off the raw wound which lies at the
heart of the history of race relations in Australia. His genius lies in
bringing to life through the narrative of a single family the brutal ongoing reality
of the interface between the settler state and first peoples over 100 years
after the initial colonisation of their lands. Davis also throws light on the
deeply human responses of Aboriginal people, the ways in which the state laws operate
to drive different responses to injustice, both among Aboriginal people and wetjalas, the Noongar term for white
fella or the English language.
Indeed, one of the pleasures of No Sugar is the inclusion of a significant amount of Noongar language
and colloquial expression in including Aboriginal humour in the dialogue, and
the Currency Press edition which I found includes a very helpful glossary of
Aboriginal terms at the end.
The reason for including an account of No Sugar in this blog is that it struck me that Davis had a lot to
say about the ways in which policy and public administration was used to
reinforce the politics of exclusion. His accounts of the ways in which control
was exercised by the Superintendent of the Moore River settlement, the interactions
between the legendary Chief Protector of Aborigines, A O Neville and the local
town police, the legerdemain used to persuade and cajole the Millimurra family to
leave their settled camp in Northam and the unsettling exposition of the bureaucratic
imagination in full flight to justify the unjustifiable is a tour de force in
policy analysis, albeit via the play’s semi-fictional narrative.
I say semi-fictional, because the removal of the Millimurra
family in No Sugar mirrors the actual forced removal of 90 Aboriginal people
from Northam to Moore River Settlement in late 1932. The then Premier’s own
electorate was Northam, his Government faced an election in April the following
ear, and his popularity was on the wane. Local community antagonism to
Aboriginal people was rife. See the insightful account of this episode (and
much more) in Anna Haebich’s excellent account of Aborigines in southwest
Western Australia, For Their Own Good,
published in 1988 by UWA Press.
The point of No Sugar
is not merely to recount or explicate the effects of a shameful and discriminatory
period in our past. It celebrates the resilience of Aboriginal people and their
cultures and languages notwithstanding sustained attempts to obliterate their
presence metaphorically and actually. It raises questions about the propensity
of our liberal democratic system to hypocritically ignore our widely accepted commitments
to the right to life, to freedom of speech, to freedom of movement, to liberty
and security, to due process under law, to freedom of thought, belief and
expression, to freedom of assembly and association, to the right to marry and
begin a family, and to the right to be free of discrimination.
A further important point of No Sugar is to raise questions
about our current approaches to policy development and implementation in Indigenous
affairs. While the levels of deep exclusion of Indigenous people which were
practised in 1930s Western Australia are no longer evident in Australian
politics and policymaking, one would have to be blind to believe that all is
well, that exclusion is no longer practised or prevalent, and that the
sentiments espoused in 1944 by Chief Protector Neville are not still alive and
well in some parts of our state and federal policymaking domains. Neville
stated then:
The
native must be helped in spite of himself! Even if a measure of discipline is
necessary it must be applied, but it can be applied in such a way as to appear
to be gentle persuasion…the end in view will justify the means employed (quoted
by Haebich 1988:156)
Anyone who plays a part in developing or implementing Indigenous
policy in Australia should take the time to read No Sugar.
Davis’ play takes its name from the ironic parody of a hymn
‘There is a Happy Land’ sung by the cast members portraying inmates at Moore River:
There
is a happy land,
Far,
far away
No
sugar in our tea,
Bread
and butter we never see,
That’s
why we’re gradually
Fading
away
But as Bernadette Brennan points out in her essay on No Sugar (link here), the
title also references Aboriginal rejection and renunciation of the bureaucratic
strategy implicit in Neville’s advice to Jimmy Munday in Act One of the play: ‘sugar
catches more flies than vinegar’. As Brennan states: ‘Aboriginal people will
not play sweetly, they will not be meekly charming and play by the rules of the
imposed game’.
Policymakers have much to learn from Davis’ No Sugar, and from the insights it
offers into the nature of unthinking bureaucratic process, the ways such
processes can support exclusionary policies and the ways unthinking policy can
undermine human lives and dignity.
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